Tuesday, March 06, 2018

VPRO: Detroit Music Scene Documentary (White Stripes, Dirtbombs, more)

Excellent 2001 video documentary of the Detroit Scene from 2001. Features the White Stripes (of course) along with Mick Collins of The Dirtbombs and half a dozen other faces of the time.

Mick Collins has the best laugh in rock music. It makes you happy even though most of the time he's doing Deep Thinking. (So follow him on Twitter  !) Among the others featured is Arthur Dottweiler, who was the White Stripes manager at the time (in the same sense that Jack White and Meg White were brother and sister at the time). I love Arthur Dottweiler for some reason and he can manage me any time he likes. (The names Dottweiler/Dattwyler/Tutwiler are some of my favorite names too. Dr. Ray Dattwyler is a Lyme Disease researcher which means he's tangentially related to Peromyscus; Tutwiler is the city in Mississippi where W. C. Handy first encountered the Blues.)

Anyway, that's nothing to do with this documentary which is all about the time when Detroit was an organically happening place. Makes me wish I had a time machine and some spare air miles.


13 minutes 

Thursday, March 01, 2018

Las Vegas Strippers Accept Bitcoin via QR Tattoos

I know this sounds like the fyootcher, but it's not actually the real future until someone's thought of a way to hack it or 'disrupt' it or 'disintermediate' it to their advantage.
I shall expect to see *that* headline tomorrow.

The Kills and Jack White: Two new songs in one day

It's our lucky day: two new songs at once.

Over and Over and Over, from Jack White's forthcoming album Boarding House Reach and The Kills' List of Demands.



The Kills: List of Demands - a cover of the Saul Williams' song



Jack White: Over and Over and Over

The Kills are leaning a bit on the MOR side for me, but it's an excellently produced track that will sound good for hundreds of listens, and the video is memorable. I still want to be Alison when I grow up. The Jack White track brings the riffage, and the lyrics (that I can make out) are pretty deep, but overall I'm not quite as taken with it. The backing singers sound bolted on, like an aftermarket spoiler on a street car. And the bongos. Man, what's with the bongos? I assume he can afford an Amen Break sample like everybody else.

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