I
missed this news when it came out but Ондар Коңгар-оол,
Kongar-Ol Ondar died in July. He was 51.
I'd
heard of Tuvan throat singers from geek friends who knew that Richard
Feynman, the eccentric bongo-playing physics professor and godfather
of the atomic bomb, had always wanted to go to the (then) forbidden land of Tuva in
Outer, or at least to the north of, Mongolia to see for himself the singers who
could make such otherwordly tones as they sang. (In fact, there's a book about this.) Feynman sadly died just
before receiving permission to travel to the Soviet region, but Caltech and
associated friends continued the connection and eventually brought singer
Kongar-Ol Ondar over to the US to ride a horse in the Rose Parade in LA in
1993. He followed that up with a concert at Caltech, which I attended - and so
apparently did Matt Groening, who brought Ondar to Frank Zappa's attention
and apparently spawned a tremendous friendship.
When I
was at the concert I assumed I was watching a little old wizened folk singer
from a dead or dying tradition, the last man on his feet in a tradition wilting
in a post-Soviet depression. I was wrong - he was only thirty, just a bit
sunburned and aged from the elements. In fact I believe I spied a number of
young ladies competing for his attention, and over the next few years, with the
release of the movie featuring Paul
Pena, Genghis Blues, I saw that the tradition was
far from dying and Tuvans have a lot more going on than triangular stamps.
The
music is oddly listenable to a westerner. It sometimes seems that all nomads
play the blues. Robert Plant may have pinpointed the Tuaregs or some similar
North African people as the source of the blues, but there's no doubt that
Tuvan music has similarities.
RIP
Mr. Ondar.
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