Wednesday, February 12, 2025

European vacation: We visit Père Lachaise cemetery

To celebrate the promise and refreshed expectations of the new year, 2025 we took a trip to the Pere Lachaise Cemetery in Paris.  It’s the largest cemetery in the French capital, at 110 acres and 70,000 burial plots. It’s widely regarded as a place to go for a walk, rather than a place to contemplate the brevity of life’s brief candle-flame and indeed it is a fine place for a stroll. (Although it was raining and pretty darn cold.)

Mausoleums against a grey sky. Bare tree branches upper left.
Père Lachaise cemetery

One notable aspect of Père Lachaise is its neatness. Every body has a nice rectangular plot, often a little mausoleum with a roof, a window and a place for flowers and remembrances. The grass is neatly cut and the paths laid out for walkers.  Only a few areas have the tumbledown look of Highgate (of which more later) and if it weren’t for the thick beds of moss on the horizontal stone surfaces, it would look newly built.

Mausoleum against a grey sky. In the foreground a fallen stone column. Tree with green leaves on right.
Rare disarray in Père Lachaise

A wide variety of people are buried here, and the one that most Americans will recognize is Jim Morrison, the singer with 60s rock band The Doors who died heartbreakingly young.  We visited that gravesite – and so did everyone else, it seems. It’s been cordoned off with tape (perhaps to keep people from trampling nearby plots) but fans have left piles of flowers and souvenirs on the stone. Perhaps ten or fifteen people visited in the short time we attended, which you can’t say about Chopin, who is also there. (Though he also has fresh flowers.)

Grave marker surmounted by a stone angel and with a black ornate iron fence in front. Fresh flowers in foreground.
Chopin

Squat stone grave marker (photo is taken at an angle so it is tilted to the left). Bric a brac left by visitors visible all around. In front of it, a grave plot with many flowers.
Jim Morrison's grave

I was delighted to visit Champollion, a giant in Egyptology and one of the pioneers in reading and understanding Egyptian hieroglyphs. His tomb is marked by an obelisk, of course.  Oscar Wilde is there with a very fancy carved grave marker, sadly covered in Perspex to prevent people from leaving graffiti on the stone. The mathematician Fourier is buried there as well. The old bust that used to mark his grave had lost its nose and was widely believed to be a bust of Voldemort, so it was replaced with a new bronze bust not long ago.  His grave is also marked by an Egyptological flourish – a sun disk with two vulture wings. Paris was Egypt mad at the time. (Even more so than London.)  Another scientist buried there is Fresnel, an optics pioneer.

Stone edifice against a grey sky. Other mausoleums visible in background.
Oscar Wilde's marker

Different angle of stone edifice above. An angel figure, head in the center of the composition, facing right and wing stretching back to left hand side. Leg visible below the wing. Highly stylized. A block supporting the figure is slightly visible behind it.  The lower part of the stone edifice is encased in flat planes of perspex. Tree branches are seen against the sky.
Oscar Wilde's marker, three quarter view


To the left a mausoleum with a domed roof. To the right, an obelisk. Bare tree branches in the grey sky behind. Up a hill, to the right,  distant mausoleums.
Champollion's Obelisk, Père Lachaise

Fourier's grave with verdigris-green bust in a pale stone niche. Grave in the foreground
Fourier's grave with verdigris bust

Fresnel's grave and headstone

I’m not sure what Miguel Asturias did to deserve a faithful copy of a Mayan stela, but it’s certainly a beautiful sight. It seems perfectly situated, a little bit of ancient Guatemalan jungle realized in Paris.

Carved stele in Mayan style with bare tree branches in the background. At the bottom of the picture, mausoleums and other graves are visible. The coat of a visitor leaving the site is visible on the left hand side.
Mayan stele at Pere Lachaise

There is also a crematorium onsite with thousands of pigeonholes in a structure known as a columbarium. After a long search, we found Max Ernst’s final resting place. I guess he didn’t want a grave and a mausoleum, or indeed any fuss.  Hi Max, anyway.  

Black plate saying Max Ernst 1891 to 1976 in gold letters on black background. Another black name plate visible below it. Plates surrounded by white concrete.
Max Ernst, in the columbarium

I picked up a conker (horse chestnut) from the grounds and I’ve put it with my conker from Golder’s Green Crematorium, which I took with me when I went to visit Marc Bolan and Paul Kossoff, many years ago.

Next: Continuing our quest to celebrate the possibilities of the brand new year, we visit Highgate Cemetery in London!

1 comment:

Anonymous said...

holy motors

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